Exhibitions
Three contexts in which painting moved beyond the isolated object - into abandoned architecture, tropical night, music, nature, and finally back into the city as a space for slowing down.
Abandoned Space
An abandoned room in Arambol became a temporary field of colour. Paintings were suspended inside unfinished architecture so the walls, dust, tropical light and open landscape entered the work. The exhibition was conceived as a sensory experience of reality - fragments of the surrounding world transformed into images, then returned to the place as another living layer.
TripFoundation
TripFoundation unfolded as a collaboration between music, artists, painting and nature. Fluorescent works were not separated from the event as a conventional exhibition; they lived among sound systems, performers, trees, fire, darkness and moving bodies. The installation changed with the night, allowing music, people, landscape and colour to continuously reshape one another.
Spaces of Contemplation
After years shaped by India, I brought that sensory experience back to Yekaterinburg as an invitation to stop. Colour, light and remembered landscapes became a way of sharing warmth and attention inside the rhythm of the city - a space where the viewer could slow down, look longer and briefly return to direct perception.
